Abstract

Le Poetiche dell'oggetto da Luciano Anceschi ai Novissimi analyses the institution of the poetics of the object in the Italian poetry of the 1950s-1960s, following the coordinates set by Luciano Anceschi's New Critical Phenomenology in relation to Husserl's Phenomenology and Dewey's American pragmatism. Starting from the twentieth-century interpretation between poetics of the word and poetics of the object, an articulated itinerary is developed between the Linea Lombarda and the experimentation of the Novissimi, next to Eliot's objective correlative reworked in the so-called "American poetics". The work, divided into two sections (one of literary theory, the other of textual analysis), includes an appendix of unpublished testimonies and rare documents.

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