Abstract
Beside its role of integrating Morocco in a globalized vision that also takes into account the cultural diversity of the country, there is need for a nuance of the Arab Renaissance’ paradigm in relation to the socio-cultural context of Morocco. This double movement (globality and specificity) correlates with the critical and theoretical perspective of the dialectic intermingling of three different major socio-political horizons: democratic transition as a means and not an end in itself; the region as an indicator of democratic efficiency; and Morocco’s cultural and human diversity. The umbrella theme of these three elements isthe unmitigated political relationship between culture, society and democracy
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