Abstract

Readers and critics, especially in France, have always frowned upon the literary hoax, notably because of its lack of seriousness and its playful aspect. When literary hoaxes are examined, it is always indirectly, through their creator. Yet, if we try to analyze it autonomously, it appears possible to draw new interpretive possibilities. The literary hoax, through its intrinsically deconstructive nature, could indeed appear as new interpretive tool inasmuch as it reveals the complex layers that shape the function of the author.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.