Abstract
Despite the ever-dwindling pot of public money available to exploratory musicians in the UK and elsewhere, various ensembles are nonetheless busy making hay whilst at least a little sun still shines. In London in the space of only a week or two in the second half of April, for instance, audiences could catch a series of new music recitals given by the Park Lane Group of young musicians, an evening of premieres with the Workers’ Union Ensemble, and concerts by the Riot Ensemble and by the London Contemporary Orchestra Soloists. Other cities, from Glasgow to Birmingham, enjoy a similarly wide range of activity.
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