Abstract
Laughter in Oliver Twist is used as a weapon against the reader's conventional social identifications, forcing him to recognize in himself the social brutality which threatens Oliver. Repeatedly, Dickens evokes laughter at one of the novel's social outcasts and then shows that laughter to be cold and inadequate by echoing it in a demonstrably evil character. By means of this process of subversion, the reader is forced away from the bright social world of the Maylie-Brownlow group into an intense association with the orphans and the victims: Oliver, Fagin and his associates, and Mr. Bumble.
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