Abstract
This article aims to provide a basic framework to enable the analysis of various issues related to the artistic exchanges between Latin America and the United States in the context of “Pan-Americanism”, from the outbreak of World War II to the early 1960s. We will attempt to reveal, in a succinct and necessarily general manner, an extremely complex web of issues, eras, places and aesthetics, involving multiple figures and institutions from the entire American continent, who were motivated by very different political, economic, and cultural interests. Various exhibitions and publications from this era bear witness to these exchanges and the fluctuations occurring within this web of relationships, which were not always easy.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
