Abstract
From its genesis in 2008 to its different actual stage productions, the unpublished play Las Hijas de Eva, by Argentinian « teatrista » Santiago Serrano (1954), reworks the images of feminine gender and feminism in a parodic way that mixes tragic and melodramatic tones, with a metatheatrical movement that reveals the backstage of an artistic and identity process, while questioning simultaneously dramatic genre and gender.
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