Abstract
In 1896, a young easterner named Walter McClintock arrived on the Blackfeet Indian Reservation. A forest survey had brought him to Montana, but a chance encounter with a part-Blackfeet scout led him instead to a career as a chronicler Plains Indian McClintock is now well known as the author two books about his experiences among the Blackfeet, but only a few his photographs have ever been published. This volume features biographical and interpretive essays about McClintock's life and work and presents more than one hundred his little-known images.Many McClintock's photos eventually reproduced as colored lantern slides. One set signature views contained numerous brightly lit tepees, rendered so that the great circular Blackfeet encampment looked like an enormous group coloured Japanese lanterns. His pictures, the photographer claimed, were not posed but instead of real life. In truth, McClintock's photographs captured the attire and activities the Blackfeet during the few weeks each year when they actively celebrated their old ways. Rather than recording day-to-day reservation life, they instead revealed the photographer's own romantic ideals and nostalgic longing. Lanterns on the Prairie explores the motivations the players in McClintock's story and the historic context his engagement with the Blackfeet. The photographs themselves provide an irreplaceable visual record the Blackfeet during a pivotal period in their history.
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