Abstract

NB: some fonts may not display correctly on all readers, in which case the PDF file should be consulted. In addition, the PDF file and the print hard copy are the only formats that include the indexes. In the Arabic eleventh-century, scholars were intensely preoccupied with the way that language generated truth and beauty in the space between God and the poets. Alexander Key leads the reader through discussions of language, mind, and reality across multiple genres of scholarship in the work of four of the most famous Classical Arabic scholars. The litterateur ar-Rāġib al-Iṣfahānī, the theologian and legal theorist Ibn Fūrak, the philosopher Ibn Sīnā (known in the west as Avicenna), and the literary critic ʿAbd al-Qāhir al-Gurgānī shared a conceptual vocabulary based on the words maʿnā and ḥaqīqah . They built theories that can be used today. We still want to understand how poetry works through syntax to create affect, and we are still interested in the problem of how language, mind, and reality interact. Language Between God and the Poets makes Classical Arabic solutions to these problems available for the first time in twenty-first-century English, and does so within a rigorous and original theoretical framework for the translation of theory. “Alexander Key takes four major exponents of eleventh-century Arabic lexicography, theology, logic, and poetics and explores the interconnectedness of their thinking on ‘mental content’ and its various ‘accurate’ realizations. This book, brimming with philological insight, crackles with erudition.” JAMES E. MONTGOMERY, Professor of Arabic, University of Cambridge “This is really an excellent book—well-written, engaging, intellectually exciting, and a great advance in the fi eld. The selection of four scholars, experts in different disciplines, but all talking about language and meaning, is extremely clever. The sophistication and nuance of the argument makes this a work of solid scholarship.” ROBERT GLEAVE, Professor of Arabic Studies, University of Exeter ALEXANDER KEY is Assistant Professor of Arabic and Comparative Literature in the Division of Literatures, Cultures, and Languages at Stanford University.

Highlights

  • It is worth noting here that, just as we saw literary-critical disagreements about whether eloquence should be located in vocal form or mental content, so we find theological disagreements about whether speech is vocal form or manā

  • There were only two ways that the plane of vocal form could connect to the plane of mental content: an accurate type of connection recorded in the lexicon and an alternative type of connection that went beyond the lexicon

  • We think about the world with mental content, and we refer to mental content when we talk. We evaluate all this mental content according to the standard of the accurate account, an epistemological tool that enables certain cognitive processes and certain connections between vocal form and mental content to be privileged

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Summary

Language between God and the Poets

University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by ­advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. Language between God and the Poets: Manā in the Eleventh Century. This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. 1941–2014 James Richard Jewett Professor of Arabic, Harvard University x Contents

37. For a concise review
48. Good starting points
Objective
For details of these contents
B N SĪ NĀ’ S M E N TA LCONTENTSIN AC T IO N
60. The quotation is a definition of naẓm
Conclusion
248 References

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