Language and Statelessness in the Poetry of Olivier Cadiot

Daisy Sainsbury

doi:10.3828/mlo.v0i0.219

Abstract

Drawing on Gilles Deleuze and Felix Guattari’s analysis of language and literature, formulated in Kafka: pour une litterature mineure (1975), Mille plateaux (1980) and elsewhere, this article pursues the idea that certain forms of language, such as national languages or major literary discourses, might be conceptualized as states. Each operating as a locus of power, these forms of language codify regulatory rules (grammatical, lexical or stylistic, for example) that serve to stake out the boundaries of their territories; adherence to these rules and norms subsequently identifies belonging or non-belonging to a given linguistic or literary community. Concomitant with the notion of the linguistic state is the notion of linguistic statelessness, which might describe a general sense of alienation within language, such as that produced by the defamiliarizing effects of poetic discourse, or a more localized sense, prompted by the socio-political situation of certain marginalized, regional languages. Taking Deleuze and Guattari’s notion of ‘deterritorialisation’ as a point of departure, this article explores how certain forms of literature dismantle or disrupt dominant linguistic codes, pointing to a decentralized position outside of the established state. Here, literature involves a movement outside of a given linguistic territory, prompting a kind of statelessness within language. Having elaborated these notions of ‘state’ and ‘statelessness’, ‘territories’ and ‘deterritorialisation’ in greater detail, the article traces their configuration in the work of the contemporary French poet, Olivier Cadiot. It considers Cadiot’s first collection of poetry, L’art poetic’ (1988), and then his collaboration with the musician Rodolphe Burger on the album Welche: On n’est pas indiens c’est dommage (2000). In both instances, Cadiot uses ready-made language, employing cut-ups and sampling techniques that rework dominant discourses, deterritorializing them and making them ‘minor’.

Highlights

Sainsbury: Language and Statelessness in the Poetry of Olivier Cadiot community
This article joins a growing body of work exploring the fruitful possibilities of applying Deleuze and Guattari’s philosophy to the study of contemporary poetry.[1]
To my knowledge, Deleuze and Guattari’s discussion of linguistic territories and the deterritorializing force of literary language has not been considered in relation to notions of states and statelessness, nor to Cadiot’s work, nor to contemporary poetry more broadly

Summary

Introduction

Sainsbury: Language and Statelessness in the Poetry of Olivier Cadiot community. Concomitant with the notion of the linguistic state is the notion of linguistic statelessness, which might describe a general sense of alienation within language, such as that produced by the defamiliarizing effects of poetic discourse, or a more localized sense, prompted by the socio-political situation of certain marginalized, regional languages. To my knowledge, Deleuze and Guattari’s discussion of linguistic territories and the deterritorializing force of literary language has not been considered in relation to notions of states and statelessness, nor to Cadiot’s work, nor to contemporary poetry more broadly. Linguistic territories and the deterritorializing force of literary language In the chapter ‘Postulats de la linguistique’ in Mille plateaux, Deleuze and Guattari elaborate a certain conception of the language system, before going on to discuss how literature is situated within it (95–139). They emphasize how language, rather than being involved purely. The form of literary language that Deleuze and Guattari evoke involves a contingency and impermanence; it is suspended in an indeterminate, liminal space, simultaneously bound to the existing linguistic forms it deterritorializes, and pointing towards a potentialized outside, an ‘un en-deçà ou un au-delà de la langue’

Objectives

Conclusion