Abstract

Abstract This article explores the construction of Iraq as lyric object in the poetry of Badr Shākir al-Sayyāb, Maḥmūd Darwīsh, Saʿdī Yūsuf, and Sinān Anṭūn. I argue that there is a clear sense of ambivalence for these poets over how to represent Iraq; the country emerges in their verse as both an unmarred idyll and as a landscape of wretchedness and despair. In putting these Arabic works in dialogue with the anti-war poems of the American writer Brian Turner, I suggest the ways in which comparative analysis between these two canons can help us move beyond nostalgic representations of Iraq and the U.S. as civilizational others, and push us toward more constructive forms of cross-cultural exchange.

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