Abstract

Expansive learning is a teaching–learning method adopted by the Department of Architecture of Universidad de las Américas Puebla, Mexico, to introduce architectural students to the field of landscape sensitizing. This approach has been especially valuable considering the particular cultural and natural values of the Mexican landscapes. In it, architectural students are introduced to co-configuration strategies along with co-working methods with the participation of specialists and local stakeholders and community on the “barefoot” bottom-up basis. The community of Tochimilco, Puebla, was selected as a case study through which students can learn how vulnerable rural landscapes and their natural environments can be protected, constructed, and developed. Therefore, studying natural landscape and environmental conditions of Tochimilco through data collection, fieldwork and student workshops was carried out to reinforce the understanding of landscape features, values, semiotics, and meanings in a Socio-Ecological System of landscape (SES) framework. In this context, the expansive learning processes revealed the potentiality of architectural students to become environmental facilitators for future design and planning projects to trigger sensitizing and comprehensive approaches. In these terms, architectural education prepares students to recognize and be aware of natural values, landscape narratives and the “barefoot” relationship between the landscape and the human being occupying and cultivating it.

Highlights

  • Volcanos, mountains, blue sky, enormous clouds, vernacular architecture, cornfields, and agaves are tangible and intangible landscape elements in Mexican collective imaginary.Those components have been represented in pre-Hispanic codex, Mexican cinema, muralism, and literature as immortal and permanent elements giving landscape framework for the everyday life

  • Lewis writes: “ [w]e rarely think of landscape that way, and so the cultural record we have ‘written’ in the landscape is liable to be more truthful than most autobiographies because we are less self-conscious about how we describe ourselves” (p. 1)

  • In order to change the profession into a unitary-long-term vision with good-space quality, at Universidad de las Américas Puebla (UDLAP), we introduce landscape planning, reading and valorization to our design workshops to develop more congruent and holistic local projects

Read more

Summary

Introduction

Mountains, blue sky, enormous clouds, vernacular architecture, cornfields, and agaves are tangible and intangible landscape elements in Mexican collective imaginary. Those components have been represented in pre-Hispanic codex, Mexican cinema, muralism, and literature as immortal and permanent elements giving landscape framework for the everyday life (see Figure 1). The recent urban development and socioeconomic activities though, have made the tangible and intangible heritage vulnerable when facing new land use strategies, pollution, agro-industry, and mining concessions threatening their very nature. The contemporary Mexican rural landscape evidences the clash between the traditional vernacular environmental practices and public policy and planning informed by economic and real estate interests. External influences have brought new practices to rural communities and traditional, environmentally healthy ones have been abandoned: mechanized agriculture and monoculture is superseding traditional agricultural production methods.

Methods
Results
Conclusion

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.