Abstract
THE representation of the vibrant effect of sheer sunlight is a relatively modern achievement in painting, which has, however, passed through the experimental stage, and is well given in Mr. H. H. La Thangue's two pictures, Provencal Workers (34) and A Provencal Forecourt (488), and vibrance is well combined with the complementary colouring of sunlight and shadow on the white walls of the Farm near Sospel by Mr. St. Glair Marston (614). It is, however, from our own Cornish coast that Mr. Julius Olsson chooses his examples of moonlight on the waters, the acme of contrast in tone in an almost monochromatic scene which never fails to touch the chords of emotion. The subjects are St. Anthony Light (176) and Herring Fleet: St. Ives (500).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
