«La Traviata» remastered. G. Verdi’s opera in the stage interpretation by V. Nemirovich-Danchenko

Valerii Panasiuk

doi:10.34064/khnum2-21.04

Abstract

«La Traviata» remastered. G. Verdi’s opera in the stage interpretation by V. Nemirovich-Danchenko

Highlights

Introduction■ The historical evidence of the XX – the beginning of the ХХІ century musical theatre proves that the drastic interpretation as “a coherent artistic project” can include creating a new text for a libretto, which is aligned to fundamentally
Verdі’s “La Traviata” theatrical performance implemented on the stage of the State Musical Theatre named after People’s Artist of the Republic V
There is an urgent necessity to define the principles of coping with a libretto as an integral part of a holistic director’s vision on the example of “LaTraviata” staging implemented by V

Summary

Introduction

■ The historical evidence of the XX – the beginning of the ХХІ century musical theatre proves that the drastic interpretation as “a coherent artistic project” can include creating a new text for a libretto, which is aligned to fundamentally. ХXI ■ Аспекти історичного музикознавства important provisions of the director’s concept. Due to their provocative approach and radicalism of breaking with wellestablished traditions the ideas of the stage producers (directors, a conductor, an artist and a librettist) are in tune with the guidelines of the modern interpreters of opera classic. Inber using the research approaches of theater studies and literary theory and to define the principles of working with the verbal text as with the part of a holistic director’s conception implemented by V.

Objectives

Conclusion