La « schématisation » des bastides : Une écriture entre sciences, imaginaire social et industrie touristique

Abstract

Writing bastides heritage is questioned in this article, from the emergence and evolution of their graphic schematization. It is in this documentary process of bastides by image and simplifying drift that accompanies it which is at the heart of our analysis. The theme of the historical writting and issues of its permanent contradict or renew the relationship between text, image, and mapping that operates in the historical story of urban heritage. The Center for the Study of Bastides is a regulator in this field of scientific writing. A shift from work on the image to the business and tourist promotion of the area is also observed. This opens a reflection on the production of heritage photographs, between social imaginary and selling tourism. In view of the spreading of the image on media and still more in socio-economic variety, is the question of the rapid production and widespread stereotypical heritage as well as the effects of those images on social representations. Forms and procedures for writing and identified based heritage as a collective process unfolds in pictures and sometimes diverted effects which may take the form of hybrid objects that we called «document-monumentaires». Title : The categorization of bastides : A literature between science, social imagination, and tourist industry.