‘La rue du 19 mars 1962 c'était la rue de la liberté’: Personal and Collective Memory Spaces in Rachid Akbal's Commemoration of Peace

Abstract

Rachid Akbal is a French-born Algerian playwright, director and actor whose company, ‘Le temps de vivre’, took up residence at the Théâtre de Belleville in Paris in 2012 to perform his Trilogie Algérienne (three plays with a loosely autobiographical element: Baba la France, Ma mère l'Algérie and Alger, Terminal 2). On 19 March 2012, to mark the 50th anniversary of the first day of the ceasefire between Algeria and France, Akbal held an open evening at the theatre. The first half offered a run-through of the history between France and Algeria. The second half was a more personal, lyrical narrative of what the date represented for Akbal; unpublished elsewhere, Akbal has given permission for it to be reproduced here. In its hour-long performance, the narration was accompanied by sounds (natural elements, gunfire and sirens, and music), and at the end the lights went up and Akbal took a seat on stage, to begin a half-hour discussion with the audience. In so doing, Akbal created a discreet space of remembrance which allowed interested parties to come together in collective commemoration. Setting theorisations of cultural memory in dialogue with commentaries published during the commemorative period, this article sets up a framework to interrogate the possibilities of personal and collective remembrance offered by Akbal's event, opening these up via publication of the text and analysis of it as a ‘memory space’.