Abstract
This article studies, from an ecosocial and intercultural point of view, the novels of the writer Nathacha Appanah located in tropical ecosystems, particularly vulnerable to the unforeseeable meteorological events, seismic events and others. The emphasis is put on envi-ronmental characteristics of the scenographies and their consequences for the plot’s characters. The article examines the strategies used by the author to develop the social and environmental issues, and specially the lure devices, which articulates the different narrative dynamics and builds a model of nature based on the opposition between the visible side of the landscape and the deeper invisible side.
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