«La pasión del orden». Convergencias virtuales en el linealismo alegórico de «Dos ángeles y un santo arzobispo» y en la simbología teológica del auto sacramental calderoniano

Abstract

«The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegorical linealismo visibly present in the Roman mural paintings of the region of Castile and Leon in Two Angels and a Holy Archbishop of anonymous artist found in the Hermitage of the Vera Cruz de Maderuelo, Segovia, of the twelfth century Spain, and the implied significance of the symbolism represented in the scenic sketches of the auto sacramental The Immunity of Consecrated Ground by Pedro Calderon de la Barca written in the early modern Spain.