Abstract
This paper aims to reconsider the eccentric intellectual – visual, literary and philosophical – production of the Uruguayan Pedro Figari in light of the ideological background that animates it and founds this particular Figarian project: to product universally shared forms which contribute to the affirmation of a unique idea of Latin-American modernity. A project in which, in the intersection of figurative stylization, rhetoric of example and utopian narrative, modernity still results linked to a subalternity strictly related to a colonial heritage.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
