Abstract
Durante la segunda mitad del siglo veinte, la teoría económica de la dependencia proveyó a una generación de pensadores latinoamericanos de un amplio repertorio de argumentos culturalistas a través de los cuales se explicó durante décadas todo cuanto ocurría en la región. A partir de dicha mirada ideológica, o en gran medida debido a ésta, el pensamiento urbano arquitectónico en América Latina construyó una argumentación histórica e historiográfica fundamentada en el concepto “dependencia cultural”. El presente artículo reflexiona sobre las consecuencias ideológicas e historiográficas de este imaginario a partir de algunos aspectos del pensamiento de Marina Waisman.
Highlights
Theory provided a complete generation of Latin-American thinkers with a wide range
that happened in this region was explained
historiographical assertions based on the concept
Summary
Theory provided a complete generation of Latin-American thinkers with a wide range of cultural arguments through which everything that happened in this region was explained.
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