La inmersión subjetiva de un relato fenomenológico. A propósito de El hijo de Saúl (Saul fia, Lászlo Nemes, 2015)

Abstract

In this work we intend to develop such thorny concepts as the representation of reality through fiction and the discursive mechanisms that make it possible. We have tried to clarify the notion of point of view by an extreme example capable of calling into question the principles managed by previous theoretical reflection when applied to a very singular text: the film by Laszlo Nemes Saul’s Son ( Saul fia , 2015). Our objective is to apply a series of narratological notions that allow us to reflect the complexity of visual and sound perception from the limitations of the narrator implicit in the subjectivity of the protagonist of Saul's son .