Abstract
Our study deals with the film Interstellar (2014), by British director Christopher Nolan, from the narratological perspective of explorative fiction applied to the Seventh Art. For this purpose, three filmmaking milestones are considered from the point of view of the genre: Memento (2000), Origen (2010) and the aforementioned Interstellar, a film in which the optional nature of the story involves the spectator. This idea is confirmed by the content of the taglines on the posters.
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