Abstract
Speaking about musical aesthetics in the Christian Middle Age is speaking about the conditions of beauty in liturgical musical forms and, ultimately, about aesthetics in a kind that, with the passage of time, would be called «gregorian chant». And because the beauty of a musical work lies in its form, we will try to discover the human expressions contained in its repertoire: music is nothing more than the joyful or hurtful expression of human feeling because in it, the same as in the human soul, everything could be included.
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