Abstract
This paper analyzes Romero Esteo's work from a cultural and aesthetic background rarely founded in the peninsular hispanic studies, in spite of being the appropiate one regarding his times. This complex theoretical frame, which has been related afterwards to diverse currents as Posestructuralism, the «New Left» and «Postmodernity», began to be developed in Europe during the sixties. Among the main names of these tendencies, who are the basis for my present approach, Michel Foucault, Roland Barthes, Jacques Derrida, Jean-Francois Lyotard, Gille Deleuze y Felix Guattari, Jean Baudrillard, Umberto Eco o Eugenio Trias are included. Starting from this wide corpus of aesthetic philosophy, which is going to be given an unitary interpretation through a consideration of the barroque condition of contemporary culture —reconsidering the theory of alegory by Benjamin—, this study intends to understand the specifity of an aesthetic project of great originality as well as the cultural background where it has risen.
Highlights
OSCAR CORNAGO BERNALEsa es la sublimidad del grotesco que alcanza la escritura huérfana de Romero Esteo, la capacidad de transformar el baile sonoro y lúdico de las formas en el alma del lenguaje, revelando el prodigio en mitad de la trivialidad, la muerte en la falsedad del simulacro, lo absoluto en mitad del caos
A partir de este amplio corpus de filosoft'a estética, al que se le dará una lectura unitaria mediante la condición barroca de la cultura actual —recuperando la teoría de la alegoría de Benjamin, se trata de entender la especificidad que caracteriza tanto un proyecto estético de gran originalidad como del medio cultural que lo vio nacer
This paper analyzes Romero Esteo's work from a cultural and aesthetic background rarely founded in the peninsular hispanic studies, in spite of being the appropiate one regarding his times
Summary
Esa es la sublimidad del grotesco que alcanza la escritura huérfana de Romero Esteo, la capacidad de transformar el baile sonoro y lúdico de las formas en el alma del lenguaje, revelando el prodigio en mitad de la trivialidad, la muerte en la falsedad del simulacro, lo absoluto en mitad del caos
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