Abstract
The form of the Metaphysical Diary elaborated by Gabriel Marcel between 1914 and 1943 displays an original style characterized by discontinuity, interruptions, “events” of writing each marked by a date. Therefore, where can continuity be found? Does continuity lie in the existential situation of the subject or in the subject’s ontological unity? If the Metaphysical Diary leads to metaphysical philosophy, to understand Gabriel Marcel’s choice of writing-style at the beginning of his work, one should rather start from this metaphysical philosophy.
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