Abstract
The materialist theory of the philosophy of art, framed by the combination of aesthetics and political theory leads us to question the effects of perception. Rousseau's heritage, literature and art speak differently about the field irreconcilable policy should describe things as they are. Hobbes from his view, argue that describe similarity involves understanding the policy, and therefore reduce it to management. Thus, in the Hobbesian conception, the State holds the fragility of an order that has no foundation myth. A void that rests on a shared history, a sense of representation in the construction of a hegemonic order. The aesthetics and politics as a subordinate to a variable that Nietzsche's "Ecce Homo" would define it as Decadent Tempo: cadence in decline. The time is combined as the fickleness of life in Shakespeare, but also in the Meninas of Velasquez. It is the emergence of time in which so clearly show the power production of meaning, and that connection is not essential or foundational. The multi-dimensionality of time is a pedigree of looks and eager approach to collective knowledge horizons through art. The idea of time is structured as a hinge to reflect on the combination of the fields of aesthetics and politics. The Walter Benjamin irrupt time is not linear and homogeneous. The Angelus Novus by Paul Klee is the term catastrophic chain of events that reveals the angel of history, defining the storm's progress. Among the ruins is the religion to be passed and on which the mythical being wants to return, looking for the old certainty of an order that is imposed on the chaos that lives in the storm.
Highlights
Abstract.- The materialist theory of the philosophy of art, framed by the combination of aesthetics and political theory leads us to question the effects of perception
The idea of time is structured as a hinge to reflect on the combination of the fields of aesthetics and politics
The Angelus Novus by Paul Klee is the term catastrophic chain of events that reveals the angel of history, defining the storm's progress
Summary
La teoría materialista de la filosofía del arte, enmarcada en la conjunción de la teoría estética y política nos conduce a cuestionar los efectos de percepción. No hay autor que no esgrima pensamiento político sin contemplar de fondo alguna narrativa estética clásica. Para ahondar en lo colectivo, sin importar la contemporaneidad o la anuencia clásica de una obra, de un escrito, de una dimensión del arte. El tiempo va a ser el conductor para anudar teorías. No vale el tiempo sino los hechos que validamos en él. El tiempo en la teoría estética y política no deja de ser un punto de inflexión difícil de sustentar y argumentar. La teoría estética encierra una dialéctica entre el mito y la razón, filológicamente hay correspondencia entre olvido y tiempo. “Es sólo con gran dificultad, y revocablemente que, en la imagen del viaje, el tiempo histórico comienza a separarse del espacio, modelo irrevocable de todo tiempo mítico3”
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