Abstract
This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality
Highlights
This article has two parts: on the one hand, it attempts to outline the fundamental points of T
Ligeti’s Atmosphères is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, with regard to the problem of causality
AA., Bericht über den Internationalen Musikwissenschaftlichen Kongress Bonn 1970, Kassel, Bärenreiter, 1971
Summary
Este artículo está dividido en dos partes: por un lado, se delinean los puntos fundamentales de la crítica a la causalidad de T. W. Adorno y, en especial, en referencia a Aristóteles y Kant. Se explicita la deriva de esta crítica en su propio proyecto filosófico, que presta especial atención, en sus últimos años, a la música de los jóvenes compositores de Darmstadt. Atmosphères, de Ligeti se constituye como una de las obras fundamentales para dar cuenta del cruce entre filosofía y música en el pensamiento adorniano y, en concreto, con respecto al problema de la causalidad
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