Abstract
This article provides a history of the implementation, in the United States and Europe, of collection processes on cinema attendance, on the results obtained by films in terms of admissions or box-office receipts, and on the international trade of films. The contribution shows how the US industry was already from the 1910s concerned with obtaining a statistical portrait of European markets while efforts to set up an integrated European statistical tool, imagined in the 1920s, did not come to fruition. This was only achieved in the 1990s with the creation of the European Audiovisual Observatory and its LUMIERE database.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
