Abstract
The sights of cities, an important genre of Baroque painting, almost disappeared with industrialization. The painters preferred to look back and to represent other topics. However, the modern city was breaking through in the painting of 19th and 20th centuries. The new image of the city is antithetical to the old veduta and acquired traits of representations of hell.
Highlights
Title: The Diabolic City in Painting Abstract The sights of cities, an important genre of Baroque painting, almost disappeared with industrialization
The new image of the city is antithetical to the old veduta and acquired traits of representations of hell
Caillebotte, muy alabado por Zola, nos lleva a contemplar los nuevos bulevares entonces carentes de carácter o los tejados nevados que se ven desde las buhardillas, busca lugares de modernidad, como estaciones de ferrocarril, nuevas construcciones de hierro, etc
Summary
Title: The Diabolic City in Painting Abstract The sights of cities, an important genre of Baroque painting, almost disappeared with industrialization. Resumen Las vistas de ciudades, todo un género de la pintura barroca, prácticamente desaparecieron con la industrialización.
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