Abstract
The article attempt to explore the book of poems Album de Valparaiso of Elvira Hernandez, starting from the confluence of the proposals of the “shipwrecked” subject and the “unbearable witness”. The target of this proposal is a decentralization of the text which would be established as a transfuga poetic production, that exceeds the “generation” classifications of the twentieth century 90s and the 2000. On the other side, the concept of heterotopia raised by Foucault, will help us to admit and problematize the liminal space that it is constructed in the poetry book, from where takes place the enunciation of the poetic subject
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
