Abstract
One of the projects that absolute addresses the clear relationship between the city of the living and the city of the dead is the project for the competition of the Cemetery in Modena, won by Aldo Rossi and Gianni Braghieri in 1971. Then it was revised for the second degree of the competition and for another step of the project in 1976. Now it remains unfinished, as the administration plans to achieve it programmatically. It has a clear organization of his differentiated and related parts through formal hierarchies, that recognize in the cube and the cone the “facts” of this urban city of the dead, with its rich symbolism linked to the cult of the dead. However, the cemetery isn’t, an isolated moment in Rossi’s work, but it is possible to recognize in it a declination of formal characterizations that returns throughout its design process.
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