Abstract
The article informs about the variation in Francesca da Rimini’s explicit between the printed edition (1902) and the autographed manuscript written in the summer of 1901. The reasons of this variation are reconstructed thanks to the documents kept in the Biblioteca Nazionale Centrale of Rome, in the Archivio Eleonora Duse of the Istituto per il Teatro e il Melodramma of the Fondazione Giorgio Cini in Venice and in the Georges Hérelle collection of the Médiathèque Jacques-Chirac of Troyes.
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