L’écriture de l’alité. Dépathologiser la dépression dans Désormais ma demeure de Nicholas Dawson

Abstract

Désormais ma demeure by Nicholas Dawson explores the aftermath of depression, which he sees as both the personal site of psychic collapse and the site of exile in his transgenerational composition. The latter is made possible by a queer constellation whose diasporic existence makes it possible to grasp the racialized and gendered practices that are so many habitus and forms of emancipation. The writing appears, in this context, as a story that takes shape in the aftermath of the healing.