Kurinji Songs Based on Propositional Theory

Abstract

In Kurinji songs the meaning of proposition, properties of words, the stage at which language works are explained in detail. The strategies for setting up the narration, the nature of the narration in the internal literature, the narrators in love making, and the narrators in the chastity period have been explained and narrated well in Tolkappiyar's materialism chapter. It has been pointed out that Nattrai, who is missing among the purveyors of chastity period mentioned by Tolkappiyar, has been declared as one of the purveyors of chastity in the content description of Narkavirasa Nambi. The conversation of the people in the town, the neighbors, the informers, the father, the brother and the friend’s strong claim for the heroine have been compiled. The role of learning in external songs are explained well. Although Kurinchi songs covers only the narration of heroine’s friend’s, the conversation between hero and heroine are clearly understood by heroine’s narration. In friend’s narration heroine’s position, guarding the treasury, swimming in the waterfall, playing with flowers, hero’s arrival and hero’s love are described. In the narration of the heroine, the love position of the heroine and the acceptance of the love of the hero are well described. The manner in which love manifests has been explained. In the narration of the hero, his love languages and his speech are explained with appropriate evidence.