Abstract
The article focuses on the memory practices activated in Jarosław Marek Rymkiewicz’s Kinderszenen, an essay devoted to the Warsaw Uprising. The text refers to Klaus Theweleit’s Male Fantasies analyzing the language of male soldiers, and examines the work of the same linguistic logic which determines the way in which the events in the capital are presented. The Nazification of memory involves here the demonstration of obscenity of the uprising and recognizing it as constitutive to the national identity. The purpose of the text is to capture the relationship between shaping collective memory and creating “genogenic” imaginarium integrating the Polish community.
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