Abstract

Forms of oral tradition such as narrative and song often serve as important cultural resources that retain and reinforce cultural values and group identity (Bauman 1992; Bright 1993; Jahner 1999; Sekaquaptewa and Washburn 2004). This is particularly true of American Indian “trickster tales” which, like European Aesop’s fables, contain moral content and are typically aimed at child audiences.1 This essay discusses an example of this genre with specific reference to the Kumeyaay community of Baja California Norte, Mexico. It also discusses how such stories are an important form of cultural property that doubly indexes group identity—once through the code that is used, and then again through the content of the narrative itself. Oral traditions such as trickster tales form an important body of knowledge that not only preserves cultural values and philosophical orientations, but also continues to imbue its listeners with these values. American Indian communities typically view their oral traditions as communal intellectual property (Hill 2002), and for this reason it is incumbent upon researchers who work with traditional texts in these oral communities to collaborate with them to ensure that collected texts are treated in a manner that is appropriate in the view of the communities from which they originate (Rice 2006; Field 2012b). Especially today, in light of the increasing availability of multimedia and the expanding capabilities for archiving oral literatures so that they might be more available than ever before in multiple formats (audio and video in addition to print), it is important for researchers to bear in mind the relationship between the recording, publication, and archiving of oral literature; community preferences regarding these aspects of research; and considerations related to language revitalization—particularly in cases where the indigenous languages themselves are becoming increasingly endangered.

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