Abstract
In a recent Journal of the American Musicological Society colloquy, “Discrete/Continuous: Music and Media Theory after Kittler,” Alexander Rehding argues that the late Friedrich Kittler’s media theory—and its subsequent development by media theorists after Kittler (Sybille Kramer, Bernhard Siegert, Wolfgang Ernst, Jussi Parikka)—has a great deal to offer current musicology (Rehding et al. 2017, 225). Despite criticisms from Geoffrey Winthrop-Young (2002, 832) that Kittler adheres to a form of technologi-cal determinism, and focuses too narrowly on the connection between me-dia technologies and the military-industrial complex, Rehding claims that Kittler’s media theory can nevertheless help musicologists make sense of the material and technological underpinnings of music and sound.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
