KOREOGRAFI TARI RATOK MAIK KATURUN DI NAGARI PADANG LAWEH KECAMATAN KOTO VII, KABUPATEN SIJUNJUNG

Izlatul Maulida,Herlinda Mansyur

doi:10.24036/jsu.v9i2.110545

Abstract

This study aims to reveal and describe the Choreography of Ratok Maik Katurun Dance in Padang Laweh Village, Koto VII District, Sijunjung Regency. Therefore, this study explores the problems related to the choreography contained in the Ratok Maik Katurun dance in Padang Laweh Village, Koto VII District, Sijunjung Regency. This research belongs to a qualitative research using descriptive methods. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing tools and voice recorders. Types of data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted through data collection, data reduction, data presentation, and conclusion making. The results show that Ratok Maik Katurun Dance is a traditional dance which uses a choreographic approach and is created by raising the life of nature and the people of Padang Laweh village. Ratok Maik Katurun dance has a unique cultural value. It is dancing at the death of a leader in Padang Laweh village. Ratok Maik Katurun dance has two main aspects. The first one is the aspect of form including: motion (10 types of motion); simple floor designs such as straight and curved lines, top designs such as angular, medium, low, high, contrast and curved designs; group composition such as synchronously and balanced;female dancers aged 30-50 years; music using gondang boghek, talempong, and gong instruments; costumes worn is black baju kuruang basibah (Malay traditional clothes) and black songket (skirt); and properties in the form of shawls which are only worn in the oghak salendang movement. The second one is the aspect of content including: The idea, in Ratok Maik Katurun dance the idea isrelated to death and the atmosphere whichis sad. Music and dendang ratok used as accompaniment of the dance movements make the dance conveyed and complemented. Thus, it can be concluded that Ratok Maik Katurun Dance has choreographic aspects so that it can be researched using choreography knowledge.Keywords: Choreography, Ratok Maik Katurun Dance

Highlights

Kebudayaan merupakan sesuatu yang tumbuh dan berkembang di tengah masyarakat dan memiliki nilai-nilai dan norma-norma juga keunikan dan kelebihan tersendiri
This study aims to reveal and describe the Choreography of Ratok Maik Katurun Dance in Padang Laweh Village, Koto VII District, Sijunjung Regency
This study explores the problems related to the choreography contained in the Ratok Maik Katurun dance in Padang Laweh Village, Koto VII District, Sijunjung Regency

Summary

Pendahuluan

Kebudayaan merupakan sesuatu yang tumbuh dan berkembang di tengah masyarakat dan memiliki nilai-nilai dan norma-norma juga keunikan dan kelebihan tersendiri. Pada kesempatan kali ini peneliti mengkaji satu tari yang merupakan tari tradisional yang ada di Nagari Padang Laweh Kabupaten Sijunjung, yaitu tari Ratok Maik Katurun. Semenjak meninggalnya Datuak Mandaro Sutan muncul ide dari salah satu datuak nan tigo bagala yaitu Datuak Sumandaro (Datuak Rajo Adat), jika ada diantara tiga orang datuak nan tigo bagala meninggal dunia, maka pada saat itu juga akan ditampilkan sebuah tarian tradisional. Melihat peristiwa pada saat itu Datuak Sumandaro (Rajo Adat) selaku pencipta tari Ratok Maik Katurun mewariskan tari ini ke garis keturunan Datuak Mandaro Sutan yaitu cucu beliau yang bernama Indra untuk meneruskan dan mempertahankan Tari Ratok Maik Katurun agar tidak punah, dan tetap dipercayai oleh masyarakat di Nagari Padang Laweh. Tari Ratok Maik Katurun ini dahulunya hanya ditampilkan pada saat meninggalnya salah satu “datuak nan tigo bagala” atau tiga orang yang mempunyai gelar datuak saja yaitu, Issn: 2302-3201. Pendendang ratok pada tari ini adalah wanita yang sudah lanjut usia. (Wawancara: Mardanau 10 Juli 2020)

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