Abstract

This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people.

Highlights

  • Single-sheet Buddhist woodblock illustrated prints, the subject of this paper, were conceived and produced as independent, complete prints with all the content on a single sheet of paper

  • Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice

  • Secon the Buddha were used for worship purposes iconography carved onto woodblocks in the fo Printed copies of dharani were steadily produced from the time Buddhist prints began to appear

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Summary

Introduction

Single-sheet Buddhist woodblock illustrated prints, the subject of this paper, were conceived and produced as independent, complete prints with all the content on a single sheet of paper. 藏法師傳 (a biography of Xuanzang) says and seeing people suffering the pain of war, out of his love for sentient beings held a Suryukjae rite [rite for deliverance of beings of water 紙 and land] to liberate them from suffering and printed 20,000 copies of pictures of Amitabha and Avalokitesvara [for the occasion]”.2 Such records from the Tang dynasty indicate that monks made copies of single-sheet prints for distribution to sentient beings and [a kind of paper] to load on the backs of five horses and distributed them to monks, n propagation of the dharma. 20,000 copies of pictures of Amitab people’s faith at the time and directly and immediately reflect the wishes of the people in a single-sheet

Such records 鎽
Dharani-Type Prints Functioning as Talismans
This dharani print features the eight-armed
Pratisara
Casket
12 Land and Diagram of the Avataṃsaka Single Vehicle
Dharani
Prints with Popular Icons for Worship
Descent
Prints
Shortcut
12. Ritual
Conclusions
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