Abstract
This study uses critical discourse analysis method that aims to reveal the meaning of Indonesian keynthones in Tjokroaminoto Guru Bangsa film. The results show that the representation of meaning at Indonesian level at the text level is a representation of the dominance of ethnic or racial tribes of Europe and Arabia and subordinan tribes or races of Javanese, Chinese, Sundanese and do not have citizenship. At the messo level the purpose of the film production system is the goal of Tjokroaminoto's historical reconstruction based on the spirit of Islam as the basis for the struggle. At the macro level shows the construction of national leadership is a rational effort in order to fulfill party politics based on the spirit of keindonesiaan. Keindonesiaan is the essence of the teachings of cultural Islam that upholds human values in order to realize the concept of hijra or civil society in Indonesia.
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