Abstract
One of several life-affirming themes in Viktor Frankl’s classic Man’s Search for Meaning is the inviolate character of human freedom. Contrasting what he calls “inner freedom” with the dire external restrictions he experienced as a prisoner at Auschwitz and other concentration camps, Frankl insists that no matter how restrictive and dehumanizing one’s situation, the exercise of this internal freedom is always a possibility. Similar sentiments are found in Camus’s The Myth of Sisyphus. Though it contains elements of a typical 1980s American action movie, on closer inspection, Andrei Konchalovsky’s 1985 film, Runaway Train, proves far from typical. In interviews, Konchalovsky draws parallels between the film—based on an original screenplay by Akira Kurosawa—and philosophical themes in Dostoyevsky, and identifies the “relativity of freedom” as one of its primary concerns. My article uses Konchalovsky’s Runaway Train to shed light on the hard-won vision of the inviolate nature of human freedom on display in Frankl’s Man’s Search for Meaning.
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