Abstract
This paper is a part of my Ph.D. thesis in which I’ve tried to prove that although seemingly unrelated, artistic practices of Dimitrije Bašičević Mangelos and Marcel Broodthaers are representing similar artistic phenomena in the field of introduction of textual practices in visual arts. Mangelos’ and Broodthaers’ artistic practices have demonstrated that it is possible to reach the open intercultural, intermedia and interdisciplinary artistic practice starting from the closed work of art as a product on the trace of Duchampian ready-made tradition and late-modernist i.e. neo-avant-garde strategies of appropriation of non-art object, cultural institutions and philosophical constructions.
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