Abstract
Abstract Using the example of the Dance of Death of Bern, this article points out that it is not alone the contents, but the divergent communication modes of image and text that are interwoven and cooperate, while each maintains its distinct message: the text emphasizes the individual due to its successive mode of communication, the image’s simultaneous transmission of information focusses on the collective. By these means, the Dance of Death expresses its admonition and induces the recipient to critical introspection.
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