Abstract
Dekodiranje Kogojevega zagonetnega številčnega načina označevanja akordov je pomemben korak naprej pri poznavanju Kogojeve iznajdbe t. i. akordnih permutacij. Uporaba teh je potrjena in umeščena v estetsko-dramski kontekst na ključnih mestih opere Črne maske (po drami L. Andrejeva), kjer se vežeta klasičnost in modernizem v skladno celoto. V tem predstavlja inovativen glasbenoteoretični in kompozicijski prispevek v slovenski operi v začetku 20. stoletja.
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