Abstract
The significant role which England played in Kodály's international career is so well-known that it virtually borders on a commonplace. His works found outstanding performers, a comprehending public, receptive critics and also publishers in these islands. It is also well known that the Hungarian master drew upon English musical practice. In his music pedagogy he applied John Curwen's Tonic Sol-Fa method. In choral culture he regarded the practice in England as a direct example.
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