Abstract
Convolutional neural networks raised the bar for machine learning and artificial intelligence applications, mainly due to the abundance of data and computations. However, there is not always enough data for training, especially when it comes to historical collections of cultural heritage where the original artworks have been destroyed or damaged over time. Transfer Learning and domain adaptation techniques are possible solutions to tackle the issue of data scarcity. This article presents a new method for domain adaptation based on Knowledge graph embeddings. Knowledge Graph embedding forms a projection of a knowledge graph into a lower-dimensional where entities and relations are represented into continuous vector spaces. Our method incorporates these semantic vector spaces as a key ingredient to guide the domain adaptation process. We combined knowledge graph embeddings with visual embeddings from the images and trained a neural network with the combined embeddings as anchors using an extension of Fisher’s linear discriminant. We evaluated our approach on two cultural heritage datasets of images containing medieval and renaissance musical instruments. The experimental results showed a significant increase in the baselines and state-of-the-art performance compared with other domain adaptation methods.
Highlights
It is not a secret that artificial neural networks are nowadays predominant in machine learning applications
We used two datasets: the Musiconis dataset with its images, labels, and knowledge graph (MusicKG) and the vihuelas dataset with its images and labels
We presented a new approach to improve state-of-the-art domain adaptation methods using knowledge graph embeddings
Summary
It is not a secret that artificial neural networks are nowadays predominant in machine learning applications. The bar of expectations for neural networks now is so high that they need to provide human-level performance on the data they are trained, and on different target datasets. They cannot do so as they are biased towards the dataset they were trained. This problem, known as Domain Gaps, is similar to the problem of overfitting, but in this case, the model generalizes well on the testing data but cannot generalize on new unseen datasets. This challenge increases when dealing with cultural heritage data which is generally difficult to label and acquire, and the trained model cannot generalize well
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