Abstract
Starting from Gilles Deleuze's (1989, p.59) concepts of "worldization" or/and "world-image" we should consider the intersection of cinema, architecture and storytelling as an act of thinking about "world-building". Because only such action takes us through creative and political stories that will enable us to understand why the cities of the future are migrant camps. Flashdrive doesn't just give us a refugee camp story; also maps the spatio-temporal distinctions of the survival journey. It presents a migration story shaped by media dispositifs and spatial dispositifs in which power and knowledge are articulated.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Journal of Design for Resilience in Architecture and Planning
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
