Abstract

This article is a revised version of a paper first presented under invitation in 2004 at Ulster Literary Theatre Centenary Symposium at the Queen's University Belfast. Despite its recent centenary (1904-2004), the Ulster Literary Theatre (ULT) - and Northern Irish theatre more generally - remains relatively neglected by theatre criticism. This article seeks to go some way towards addressing this by examining the points of contact and conflict between the project of the Ulster Literary Theatre and its latter day counterparts the Ulster Group Theatre (1939-1972), the Arts Theatre (1947- ) and the Lyric Theatre (1951- ). At the centre of this enquiry is the issue of how ideology and material circumstance compete with or mutually elaborate one another to produce each theatre's sense of `place' and the implications of this for each theatre's developing cultural identity.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.