Abstract
In this interview, Italian filmmaker Maura Delpero reflects on her career and the filmmaking process for the fiction film Hogar (Maternal) () about teenage motherhood in a Buenos Aires religious centre, as well as on her three documentaries: Moglie e buoi dei paesi tuoi (‘Choose your wife and oxen from your own town’) () about couples from different cultural backgrounds in South Tyrol, Italy; Signori professori (‘Professors’) () about the Italian school system and Nadea e Sveta (‘Nadea and Sveta’) () about female eastern European immigrants in Italy. Delpero discusses the differences and similarities between her non-fiction and fiction films, exploring topics such as the preparatory work, the storyboard, the timeframe, the locations, working with professional and non-professional actors, film techniques and production issues.
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