Abstract
Knickers, big, small, plain, sensual, provocative, or practical, can be an unremarkable part of everyday life or an object of feminist protest. Women’s clothing, like the experience of womanhood itself, can often have multiple contradictory narratives. In this essay, the author discusses the history of women’s underwear and its links with socio-political revolution and feminist art. Against this contextual background, she discusses the development of the body of sculptures entitled Let’s Hook Up, a series of life-size, paper-thin drawings of lingerie in pâte de verre glass. The author details the artistic processes involved in making the works as well as the conceptual development and exploration of material and meaning. She demonstrates how artwork can act as a gateway to begin conversations about challenging topics like sexual assault whilst also providing a platform for creative expression and connection.
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